The design consists of a public base and an exhibition tower. A series of highly legible garden spaces are distributed from the street up to the top of the building, and are accessible to any general public wanting to visit. These gardens weave a publicness throughout. A series of break-out rooms from this public spine offer third-spaces to the city, and serve to punctuate the visitor’s experience and alleviate museum fatigue.

Exhibition spaces are structured around a single, hard-working column that pierces through every floor, acting as a wayfinding landmark and expressing a certain structural idea. Each floor has its own character and atmosphere. All galleries are naturally lit, through a combination of diffuse north light, light that is filtered through the gardens, and occasional, carefully controlled, moments of direct light.

The base can be entered from several sides at the ground floor, thereby blurring the boundaries between the institution and the city. It consists of a large hall that reaches into the basement, where the remnants of the old lock which still exists on this site are exposed. From there, the central column rises through the building. The large hall is animated by a café, a restaurant, a shop, a large auditorium, seating areas and spills out into the park and the streets around the museum.

The project prioritises low carbon materials including natural stone, wood, and lime-calcinated clay concrete, while also considering plant life as an integral element. The material palette balances heritage, sustainability, and ecological innovation – paying tribute to the past while shaping a sustainable future.